LAKESHORE RECORDS TO RELEASE ‘BURNT’ ORIGINAL SCORE


Original Score by Rob Simonsen will be released digitally on January 22, 2016. The label previously released the Original Soundtrack Album

ABOUT THE FILM
BURNT is about a chef, Adam Jones (Bradley Cooper), who had it all – and lost it. The former enfant terrible of the Paris restaurant scene had earned two Michelin stars and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive star though, Jones will need to leave his bad habits behind and get the best of the best on his side, including the beautiful Helene (Sienna Miller). BURNT is a remarkably funny and emotional story about the love of food, the love between two people, and the power of second chances.

ABOUT ROB SIMONSEN
With a keen instinct for storytelling, Simonsen has established himself amongst a new wave of composers making a significant impact in the film industry. Under the mentorship of Mychael Danna, Simonsen apprenticed alongside one of the most respected film composers from the last two decades. In addition to co-scoring films like the Fox Searchlight hit (500) DAYS OF SUMMER, Rob provided additional music for films including MONEYBALL and LIFE OF PI, the latter of which won the Academy Award for Best Original Score in 2013.

Working independently, Simonsen garnered two 2013 World Soundtrack Academy Award Nominations for the Sundance hits THE SPECTACULAR NOW and THE WAY, WAY BACK. The same year, he scored the global ad launch for Apple’s iPhone 5 and provided the iconic piano music for their Everyday campaign. His momentum continued in 2014, completing work on Zach Braff’s second feature, WISH I WAS HERE, and Bennett Miller’s multiple Oscar nominee FOXCATCHER.

Simonsen is a co-founder of The Echo Society, a composer collective presenting an ongoing concert series in Los Angeles, providing composers, musicians and artists a new and exciting platform to create and perform progressive musical works.

SIMONSEN ON BURNT:
“We wanted something elegant, but with movement,” said composer Simonsen. “A small chamber orchestra seemed to fit the bill, along with looped and treated sounds and electronics.” Simonsen wanted to cover a few bases in the score: “Emotional moments for budding romance or moments of tenderness, which is more about Adam softening, moments of tension where things were in jeopardy, and moments of the act of cooking/creating/celebrating.”

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