(April 29, 2008- Burbank, CA)- Walt Disney Records will release the original soundtrack for Walt Disney Pictures/Walden Media’s The Chronicles of Narnia: Prince Caspian on May 13, 2008. The recording features score written by award-winning composer Harry Gregson-Williams and songs performed by Switchfoot (“This Is Home”), Regina Spektor (“The Call”), Oren Lavie (“A Dance ‘Round The Memory Tree”), and Hanne Hukkelberg (“Lucy”).

In 1950, the scholar, critic and writer C.S. Lewis published The Lion, The Witch and the Wardrobe, the first of his seven-volume series, The Chronicles of Narnia, and established a modern legend. Adults and children alike fell in love with his stirring, action-packed adventure that was set in the middle of World War II bombing raids yet transported readers into an alternate and far more enchanted universe of mythological creatures waging an epic battle between good and evil.

Harry Gregson-Williams reunites with director Andrew Adamson for the 5th time after composing the scores for his Academy Award®-winning Shrek (co-composed with John Powell), the hit sequels Shrek 2 and Shrek the Third, and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, for which he collected Golden Globe and Grammy nominations for his score. He is one of Hollywood’s most sought after composers, working on a variety of high-profile projects, both animated and live-action.

Over the last several years, Gregson-Williams has composed such notable scores for Shrek the Third,Gone Baby Gone, Chicken Run, Man on Fire, Flushed Away, Domino, Spy Game, Déjà vu, Phone Booth, Veronica Guerin, Smilla’s Sense Of Snow, The Replacement Killers, Bridget Jones: The Age of Reason, Enemy of the State, Antz and Kingdom of Heaven, among others. The multi-platinum selling rock band Switchfoot has written and recorded the original song “This Is Home,” which is heard in the body of the film and over the end title credits. They shot a video for the song with director Brandon Dickerson, who filmed their most recent video for “Awakening.” “We are so honored to be a part of the Prince Caspian film with ‘This Is Home,’” says Switchfoot frontman Jon Foreman. “The Narnia stories have a really special place in my brother Tim and my lives. Our dad used to read these to us at bedtime when we were boys. Our imaginations were shaped on these amazing novels.”

The characters of C.S. Lewis’ timeless fantasy come to life once again in this newest installment of the Chronicles of Narnia series, in which the Pevensie siblings are magically transported back from England to the world of Narnia, where a thrilling, perilous new adventure and an even greater test of their faith and courage awaits them.

“As [the film’s director] Andrew Adamson and I began early discussions about the musical possibilities for The Chronicles of Narnia: Prince Caspian,” composer Harry Gregson-Williams said, “it became clear that the movie could take a score with plenty of edge and bite to it this time around, supporting the fast moving action and adventure that quickly unfolds.” One year after the incredible events of The Lion, the Witch and the Wardrobe, the Kings and Queens of Narnia find themselves back in that faraway wondrous realm, only to discover that more than 1300 years have passed in Narnian time. During their absence, the Golden Age of Narnia has become extinct, Narnia has been conquered by the Telmarines and is now under the control of the evil King Miraz, who rules the land without mercy.

The fast forward 1300 years in the future allowed Gregson-Williams to re-address themes from the first film as well as creating new ones. Director Andrew Adamson described, “For Prince Caspian, Harry drew not only on the beloved themes of The Lion, The Witch, and The Wardrobe, but also developed original, sympathetic themes for Caspian and the Telmarines. Harry has threaded these themes with the same beauty and originality as he has woven all the notes that form his wonderful scores.”

The four Pevensie children will soon meet an intriguing new character: Narnia’s rightful heir to the throne, the young Prince Caspian, who has been forced into hiding as his uncle Miraz plots to kill him in order to place his own newborn son on the throne. Gregson-Williams embraced the challenge of composing for these new characters. He described, “The early introduction of a fearful Prince Caspian fleeing for his life from the dangerous Lord Miraz gave me a wonderful opportunity to introduce this new and somewhat darker musical landscape right from the opening.” Also drawing inspiration from C.S. Lewis was Switchfoot. “‘This Is Home’ was inspired by the book after re-reading it for the opportunity to write for the film,” continues the band’s frontman, Foreman. “I am always taken by [C. S.] Lewis’ ability to write about the bittersweet beauty in this world; this home we aren’t really made for but is the place we work out our humanity in the midst of our longing for our true home.”

Walt Disney Pictures and Walden Media present The Chronicles of Narnia: Prince Caspian in theaters on May 16, 2008. The Chronicles of Narnia: Prince Caspian Original Soundtrack will be in stores on May 13, 2008.


HOLLYWOOD , CA – April 28, 2008 – On this April 29th, iTunes is releasing the end credits overture from “Cloverfield” by Michael Giacchino. For the first time, the full length orchestral piece, entitled “ROAR!”, will be available exclusively from iTunes paralleling the release of the film for download.

Giacchino’s “ROAR!” showcases an epic monster movie style, one that captivated audience members throughout the end credits. The film version of “ROAR!” totaled 9:45. The iTunes release finally makes available the full length, unedited piece that runs 12:15.

Previous Giacchino’s credits includes the scores for THE INCREDIBLES, MISSION: IMPOSSIBLE 3, RATATOUILLE and for the award-winning TV shows ALIAS and LOST. His current work is the SPEED RACER score, to be followed by J. J. Abram’s STAR TREK.


The World Soundtrack Academy has just announced that world-class composers Angelo Badalamenti and Dario Marianelli will attend the 8th annual World Soundtrack Awards, the closing event for the 35th edition of the Ghent Film Festival (7-18 October 2008).

The 8th edition of the World Soundtrack Awards is once again promising to be the highlight of the year for soundtrack music fans. After the prestigious awards ceremony, the international elite of film music composers will be on hand to present a live performance of their music by the Flemish Radio Orchestra, conducted by Dirk Brossé. For this year’s edition, the World Soundtrack Academy, an initiative of the Ghent Film Festival, managed to bring Angelo Badalamenti and Dario Marianelli on board as its guests of honour.

Angelo Badalamenti is best known for his soundtrack work for American film director David Lynch. He has scored a number of Lynch projects including Blue Velvet (1986), Twin Peaks (1990), Wild at Heart (1990), Lost Highway (1997), The Straight Story (1999) and Mulholland Drive (2001). He also composed the music for La Cité des Enfants Perdus by Marc Caro and Jean-Pierre Jeunet (1995), Wait Until Spring Bandini (1989) by Dominique Deruddere, and Jeunet’s Un Long Dimanche de Fiançailles (2004), which earned him the WSA’s Composer of the Year award in 2005.

Badalamenti also collaborates with world-class entertainers including David Bowie, Michael Jackson, Paul McCartney, Julee Cruise and Marianne Faithfull. This year, Badalamenti will be bringing two special guests along to the concert in Ghent: Siouxsie Sioux from Siouxsie & The Banshees, and Beth Rowley, who will be performing songs from The Edge of Love, a biopic on Dylan Thomas starring Keira Knightley and Sienna Miller (autumn 2008 release).

Along with Badalamenti, the World Soundtrack Academy has also managed to recruit British composer Dario Marianelli. Marianelli has composed the soundtracks for The Brothers Grimm (2005), Pride & Prejudice (2005) and V For Vendetta (2005). His score for Atonement (2007) won him the Oscar as well as a Golden Globe for Best Original Score. He is currently working on the soundtrack for the upcoming film The Soloist by Joe Wright. This is his third time collaborating with Joe Wright, who also directed Pride & Prejudice and Atonement. In 2006, Marianelli received a Soundtrack Composer of the Year nomination for his Pride & Prejudice score, but lost out to Alberto Iglesias and his score for The Constant Gardener.

In addition to the works of Angelo Badalamenti and Dario Marianelli, the Flemish Radio Orchestra will also be performing music by Daniel Tarrab and Andrés Goldstein, winners of the World Soundtrack Discovery Award in 2007. There will also be a forum for new Belgian music talent with the annual composition competition for young composers, where candidates are asked to compose music for a clip from Raoul Servais’ Atraksion.

The complete programme as well as the nominations for the 2008 World Soundtrack Awards will be announced in August. Tickets World Soundtrack Awards Ceremony + Concert, Saturday 18 October 2008 at 8:00pm, De Bijloke music centre, Ghent. Tickets: € 42 (+ € 2,75 reservation fee per ticket), € 32 (+ € 2,25 reservation fee per ticket) via Fnac (www.fnac.be).

More info: www.worldsoundtrackacademy.com


Varèse Sarabande – June, 3rd: THE HAPPENING (James Newton Howard), MONGOL (Tuomas Kantelinen)


THE ABANDONED – Alfons Conde (MMS08008)
FARSCAPE CLASSICS: VOL. 3 – Guy Gross (La-La Land LLLCD 1067)
JOHN ADAMS – Rob Lane, Joseph Vitarelli (Varèse Sarabande 302 066 893 2)
NATIONAL GEOGRAPHIC: THE EXPLORERS – Lee Holdridge (Intrada Signature Edition ISE1019) – 50:38
P.S. I LOVE YOU – John Powell (Varèse Sarabande 302 066 891 2)
SCENES OF A CRIME / A CHILD’S GAME – Christopher Young (BSXCD 8837)
STARGATE: THE ARK OF TRUTH – Joel Goldsmith (FCM CD003) – 58:23
THE STUNT MAN / AN UNMARRIED WOMAN – Dominic Frontiere / Bill Conti (Intrada Special Collection Volume 64) – 58:20
VARÈSE SARABANDE: 30th ANNIVERSARY – Vários (Varèse Sarabande 302 066 900 2, 4 CDs)


Buysoundtrax – SCENES OF THE CRIME / A CHILD’S GAME (Christopher Young, April)


THE LIFE BEFORE HER EYES – James Horner (Lakeshore 34006) – 53:43


(Hollywood, CA) Kosmic Music releases biomusique’s “the 10,000 steps” [street date May 13th]. Biomusique is the group name of acclaimed singer/songwriter Lisbeth Scott (“Chronicles of Narnia,” “Munich,” “Passion of The Christ”) and eclectic percussionist Greg Ellis (“The Matrix, “300.”) The project brought the two noted L.A musicians together in a creative process that spanned months of intensive recording – and birthed a work of sweeping, cinematic beauty.

Working in the aerie of his Beechwood Canyon studio with its panoramic city views, Ellis’ multi-instrumental talents were broadly exercised to support and embellish Scott’s extraordinary, multi-textured vocals. He contributed not only the shimmering pan-global sounds of his subtle, signature percussion — Balinese gongs, Tibetan bowls, African udu, Indian table & nagara, Middle Eastern frame drums — but also bass, guitar, dulcimer and trumpet.

Ellis’ intricate, carefully-crafted arrangements sensitively frame the tonal nuances achieved by Lisbeth Scott’s luminous voice in masterfully precise performances, with eclectic instrumentation surging bravely around some of her vocal tracks with understated grandeur and a deft chiaroscuro – or in other pieces enhancing her voice with the delicacy of fine filigree. Instrumentally, Ellis is joined by bassist Dan Lutz; African drummer/vocalist Mabi Thobejane; guitarist Sugizo (also on electric and acoustic violin), as well as by Lisbeth Scott — who plays piano (the maiden recording for her 1911 Steinway grand), harmonium, guitar and calimba.

“The songs range from poignantly moving to serene and radiant, weaving a richly textural tapestry of emotion and sound – a ‘sonic sculpture,’ similar to a film score”, as Ellis describes it. This is hardly surprising, as both Ellis and Scott have long been ubiquitous as contributors of note to major film music; Greg’s prolific work has shaped the sound of such films as the “Matrix” series, “Fight Club,” “Dukes of Hazzard,” and “300,” among others, while Scott’s includes music for “Narnia,” “Shrek,” “The Passion of the Christ” (for which she received a Gold record), and Spielberg’s “Munich.”

With the unmistakable words of a film composer, Scott describes the spontaneity and flow of “the 10,000 steps” creation process: “My lyrics present themselves with visuals all the time. A movie begins in my head…and I simply describe what I see. As soon as I heard Greg’s dulcimer playing for the song “Ohroo,” I saw a fluid and strong young horseman riding across an open land with mountains in the distance…Iceland? Finland? He was riding at night in desperation, not a minute to spare, longing for the woman he loves, calling the whole time…and she far away in a tiny room, asleep, dreaming of him. And then I realized the metaphor: we all wait, we all dream, we all wonder what our awakening will be…when we are already in it! Do we create this magical world to relieve us of the pain we feel?”

In addition to their film work, both Ellis and Scott maintain eclectic musical careers. Ellis is well-known as half of the ambient world music ensemble Vas, in which he collaborated with singer Azam Ali (now of Niyaz) over four albums on EMI’s Narada label. He also released his solo,
Kala Rupa, through Narada. Ellis has toured with Beck, Billy Idol, and most recently UK-based Juno Reactor. He has performed with such world music heavyweights as Indian tabla masters Zakir Hussain, Bikram Ghosh and Pandit Shankar Ghosh, Grateful Dead’s Micky Hart, Brazilian percussion monster Airto Moreira, and Japanese taiko drummers Kodo – as well as with master musicians from Iran, Africa, and Turkey. An advocate for the healing power of organic rhythm and “real time” music, Ellis has presented seminars at the national conferences of the American Music Therapists Association, and was invited to speak at the World Conference on Music Therapy in Oxford, England. His RhythmPharm organization is dedicated to the dispensing of organic, unprocessed rhythm as “audio-pharmaceuticals” called RhythmTonics.

Originally trained as a classical pianist at the New England Conservatory of Music, Boston native Lisbeth Scott has creatively collaborated with artists as diverse as Paul Schwartz, INXS, John Prine, Mark Isham, John Martyn, Tom Rush, and composer John Williams – who for the film Munich composed a solo expressly for her, calling her distinctive voice “absolutely ravishing.” She has produced and released four critically-acclaimed solo projects, including her sophomore effort Dove – which was named Record of the Year by New Age Voice and reached #2 on the New Age music charts. Lisbeth Scott has toured nationally and internationally.

Biomusique will bring their lushly resonant sound to live audiences across the U.S. and internationally the coming year. Those fortunate enough to catch the live concerts will come away feeling moved and restored by the other-worldly beauty of the unique new sound genre.

Kosmic Music U.S., Inc. is based in Los Angeles. The label originally rooted in India, brings together talented writers and musicians from around the globe. Kosmic Music maintains the integrity of World music as well as fuses Eastern and Western styles. The label releases include World, Health & Healing, Meditation & Relaxation and Soundtracks. Kosmic Music is distributed nationally by Allegro and all music is downloadable www.kosmicmusic.com

Biomusique – “The 10,000 Steps”:

Ananda – 5:00
Caeli et Terra – 8:17 .
The Tender Green 7:12
Ohroo – 3:20
Redemption – 7:00
Empty Spaces – 9:00
Persephone – 8:00
10,000 Steps – 6:00